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Check out Stage Direction's wonderful interview with set and costume designer Valérie Thérèse Bart about the process of collaborative design and how being a woman of color impacts her experience as a designer. Photo: "Vanity Fair" World Premiere by Kate Hamill...read more
Congratulations to LOUISA THOMPSON on her 2018 Lucille Lortel Award win in the Outstanding Scenic Design category for her work on IN THE BLOOD!
See the full list of nominees and winners here.read more
Congratulations to Summit’s 2018 DRAMA DESK AWARD nominees! LOUISA THOMPSON, Scenic Design, IN THE BLOOD; AMITH CHANDRASHAKER, Lighting Design, THE LUCKY ONES; COOKIE JORDAN, Hair & Wig Design, SCHOOL GIRLS; OR THE AFRICAN MEAN GIRLS PLAY; CHARLES G. LaPOINTE, Hair & Wig Design, SPONGEBOB SQUAREPANTS, BRENDAN AANES, Sound Design, BALLS
SUSAN HAMBURGER discusses Five Lighting Techniques for Dance Performance (with lots of gorgeous photos of her work to boot!)
Check out all of Susan's tips for Rosco SPECTRUM and production photos online, here! Photo credit: Michael Zirkle, dark swanread more
Congrats to Costume Designer SYDNEY GALLAS for her work on the luminous, “affecting” HUNDRED DAYS, infused with a “slithery ominousness” that “takes you places you don’t expect to go” – check out the NYT review of this celebration of romance turned “haunting meditation on mortality,” part of the Public Theater’s UNDER THE RADAR Festival.
Check out the New York Times Review: What if ‘Until Death Do Us Part’ Means a ‘Hundred Days’? Photo credit: Sara Krulwich for the New York Timesread more
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