Summit Entertainment Group

Below the line Talent Agency for over 30 years

Designers

Set,  Costume, Lighting, Makeup, Puppet, Sound and Wig Designers

Directors

Natasha, Pierre, & the Great Comet of 1812

Natasha, Pierre, & the Great Comet of 1812

Lighting Design by Bradley King

Hamilton

Hamilton

Hair & Wig Design by Charles G. LaPointe

Dear Evan Hansen

Dear Evan Hansen

Associate Sound Designer Jessica Paz

Anastasia

Anastasia

Costume Design by Linda Cho, Hair & Wig Design by Charles G. LaPointe, Make-Up Design by Joe Dulude II

Congrats to Costume Designer SYDNEY GALLAS for her work on the luminous, “affecting” HUNDRED DAYS, infused with a “slithery ominousness” that “takes you places you don’t expect to go” – check out the NYT review of this celebration of romance turned “haunting meditation on mortality,” part of the Public Theater’s UNDER THE RADAR Festival.

Congrats to Costume Designer SYDNEY GALLAS for her work on the luminous, “affecting” HUNDRED DAYS, infused with a “slithery ominousness” that “takes you places you don’t expect to go” – check out the NYT review of this celebration of romance turned “haunting meditation on mortality,” part of the Public Theater’s UNDER THE RADAR Festival.

Check out the New York Times Review: What if ‘Until Death Do Us Part’ Means a ‘Hundred Days’? Photo credit: Sara Krulwich for the New York...

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