New York Times Review: ‘HADESTOWN’ Reanimates a Well-Known Myth
Charles Isherwood’s shout out: “…Ms. Chavkin’s simple but inventive staging, which is enhanced by the fluid lighting design of Bradley King.”
Full review here —>
New York Times Review: ‘HADESTOWN’ Reanimates a Well-Known Myth
Charles Isherwood’s shout out: “…Ms. Chavkin’s simple but inventive staging, which is enhanced by the fluid lighting design of Bradley King.”
Full review here —>
"On Monday, for the first time in its 138-year history and as it returned from an 18-month closure, the Metropolitan Opera presented a work by a Black composer: Terence Blanchard’s “Fire Shut Up in My Bones.” MET Debut for Greg Emetaz, Projection Designer.
Robert Wierzel, Lighting Designer - SONGBIRD; IL TROVOTORE; WAGNER CONCERT and Amith Chandrashaker, Lighting Designer, THE PASSION OF MARY CARDWELL DAWSON.
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