Congrats to Costume Designer SYDNEY GALLAS for her work on the luminous, “affecting” HUNDRED DAYS

Check out the New York Times Review: What if ‘Until Death Do Us Part’ Means a ‘Hundred Days’?

Photo credit: Sara Krulwich for the New York Times

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Designers Mentioned In This Post

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Allen Moyer’s spare set — a kind of rough-hewed wood proscenium and some other shifting elements — is visually enriched with projections by Greg Emetaz.

"On Monday, for the first time in its 138-year history and as it returned from an 18-month closure, the Metropolitan Opera presented a work by a Black composer: Terence Blanchard’s “Fire Shut Up in My Bones.” MET Debut for Greg Emetaz, Projection Designer.

TheaterWorks Hartford -‘Walden’ Review: Getting Away From It All Amy Berryman’s three-character drama. Alice Tavener, Costume Designer

Glimmerglass Creates Magic in Its Own Backyard

Robert Wierzel, Lighting Designer - SONGBIRD; IL TROVOTORE; WAGNER CONCERT and Amith Chandrashaker, Lighting Designer, THE PASSION OF MARY CARDWELL DAWSON.

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